Featuring -

A LESSON IN FLOUNDER PUBERTY from Anne Montgomery

I grew up watching Mutual of Omaha’s Wild Kingdom, a TV show that explored the animal world. (And now you know how old I am.) I mention this because I continue to be amazed by the strangeness and beauty of the animal world. Take the peacock flounder for example, one of my all-time favorite creatures to meet when I’m scuba diving.

Peacock flounder are lovely creatures that work very hard at growing up.

As cooks might know, flounders are flat fish with eyes that tend to point in different directions. But did you ever wonder how they became flat? It might surprise you to know that flounders are born just like most other fish, but when they hit fishy puberty, they flop over on one side. This can be rather problematic at first, since that means one of their poor little eyes is now facing down. But no worries. The brilliant flounder can make its bottom eye crawl around its head where it ends up next to the other eye. As I mentioned earlier, the eye positioning is not perfect, which gives the wee guy a bit of an off-kilter look. Still, they adjust and eventually the teenage flounder starts swimming sideways.

Why, you ask? It’s an evolutionary thing. Flounder figured out that it’s easier to hide from predators if they can lie flat on the bottom of the sea. Blending in is important in their watery world, which brings me back to the peacock flounder. These guys have magnificent turquoise spots and purple edges when they’re swimming, but as soon as they alight on something, they change color to blend in, just like their land cousin the chameleon. Isn’t that cool?

Magically, the peacock flounder can turn colors instantly to blend in with its surroundings.

I often thought of the flounder in my high school classroom, where the changes associated with human puberty sometimes popped up in conversation. I realized it was a tough time in the lives of the young people I taught, something we adults understand as we all somehow survived that often tumultuous life change.

Whenever students seemed overwhelmed, I would tell them the story of flounder puberty. I hoped it might make them understand that things could be worse. I mean, imagine if your eye had to crawl to the other side of your head.

Often, the tale elicited a shocked silence, as they tried to wrap their heads around a sideways-swimming fish with a migrating eye. While I thought it was a perfect teachable moment, I sensed the kids just thought me strange.

But we teachers hold on to the hope that maybe, someday, our charges will understand our reasoning, an a-ha moment that will make them remember what we said and why.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

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Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

 

FEATURING...

FACING OUR FEARS

by Anne Montgomery

Most people are afraid of something. For me it's tight spaces. I'm not sure when I first fell victim to this phobia, but it might have been on a high school Friday night when a bunch of us were going to a drive-in movie. (Remember those?) I was encouraged to get into the trunk of a car before we drove through the gates - something about too many kids in a car. In any case, I freaked, and clawed the underside of the hood and yelled until they let me out.

So, I'm claustrophobic, a malady that smacked me in the head one day when I was one hundred feet below the surface of the sea staring at a hole in the ocean floor.

I'd been told about the lava tube we would encounter. I glimpsed the small opening as another diver's fins disappeared into the darkness. I paused, sizing up the mouth of the cave. It was not much wider than my wingspan and perhaps three-feet tall.

I turned to my sweetie pie, who was hovering by a woman who was uncomfortable diving. I pointed to the mouth of the cave and he shook his head. Then he took the woman by the hand and helped her swim above the tube.

I stared at that hole and wanted nothing to do with it. It looked so small and dark, but then I saw a light flickering inside and, without thinking, I swam to the opening and ducked inside. White sand flowed along the cave floor. I saw fins in front of me and followed. Then, suddenly, the fins and the light vanished, leaving me in total darkness.

I stopped abruptly. Then panicked and considered backing out, but turning around in that narrow space in complete darkness was problematic. The back of my tank caught on the top of the tube. The contact was slight, but was enough to make me sick to my stomach. I dropped to the floor and dug my hands into the sand in an effort to calm myself. I started sucking air, which was bad. The compressed air in a scuba tank is used up quickly on a deep dive. I had to move forward soon, but was frozen.

I raised my head and stared into the darkness. I held one hand before me but could see nothing. I dug my free hand into the sand and lifted the other, pulling myself forward, gripping the sand so hard my hands hurt. Slowly, I moved forward and down. The tube descended beneath the sea floor, angling deeper as I went.

Why had I not brought a light? And why had I been dumb enough to go in without such an important piece of equipment? I continued inching forward. How long was the tunnel? Why had I not asked? The questions swirled. I was tempted to reach to the side to see how wide the tube was, but was afraid to know the truth.

Sometime later, I caught a glimmer piercing the top of the tube, a broken spot in the ceiling that glowed with soothing blue light. I rounded a bend and was graced with an opening. Dim light flooded the the cave, illuminating walls that were startling close. I kicked hard and exited. My sweetie pie was overhead. He knew how I felt about small places, so he was concerned.

Later, after a hot shower and a strong, grown-up beverage, we talked about that deep, dark, watery hole.

Yes, I'm glad I tried to conquer my fear, still I don't think I'll do anything like that ever again.

Here’s a little from my latest women's fiction book. I hope you enjoy it.

A woman flees an abusive husband and finds hope in the wilds of the Arizona desert.

Rebecca Quinn escapes her controlling husband and, with nowhere else to go, hops the red-eye to Arizona. There, Gaby Strand - her aunt’s college roommate - gives her shelter at the Salt River Inn, a 1930’s guesthouse located in the wildly beautiful Tonto National Forest.

Becca struggles with post-traumatic stress, but is enthralled by the splendor and fragility of the Sonoran Desert. The once aspiring artist meets Noah Tanner, a cattle rancher and beekeeper, Oscar Billingsley, a retired psychiatrist and avid birder, and a blacksmith named Walt. Thanks to her new friends and a small band of wild horses, Becca adjusts to life in the desert and rekindles her love of art.

Then, Becca’s husband tracks her down, forcing her to summon all her strength. But can she finally stop running away?

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Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.