Audiobooks Make Great Stocking Stuffers

8 Reasons to Listen to Audiobooks

 from Leigh Goff

My publisher, Parliament House, encouraged me to turn my Southern Gothic Horror book Koush Hollow into an audiobook. Before I made that commitment I decided to investigate the benefits of audiobooks. And was I surprised! Here are just some of the things I learned that you may find interesting:

• Something new. Some people prefer listening rather than reading text and the increasing popularity of audiobooks proves that. According to Goodereader.com, audiobook sales increased by 16 percent in 2019 and generated over $1.2 billion in revenue. That same year, e-books only made $983 million. 

• You can listen to a book on your phone, iPad, computer, at the beach, or at a family get together you want to escape from. It’s easier than ever to download a book thanks to Audible, and it’s tough to lose one when it’s on your phone. Bonus, no more physical bookmarks or reading glasses needed! Just pick up where you left off listening. 

• Huge Variety. In 2020, more than 71 thousand audiobooks were published in the U.S. The number has increased 39 percent year over year since 2007. There are currently more than 25 audiobook publishers, and according to Forcreators.com, the most popular genres in audiobooks are autobiography/memoir, mystery, thriller, fantasy, and science fiction. Almost anything you want to read is ready for downloading. 

• Pro-Multitasking. According to Goodereader.com, over half of UK audiobook listeners say they don’t have time to sit and read a physical book. Audiobooks allow you to listen while you walk your dog, clean your room, get a load of laundry done, workout on the elliptical, or prep dinner. 

• Popular. One in three book buyers has listened to an audiobook in the past year and if you’re in a book club, you can have all of those book titles downloaded into one place to make it easier than ever to listen anytime, anywhere. They’re so popular, the big publishers like Audible and Harper Collins are investing in more studios and narrators to speed up production. 

• Mood Elevator. Listening to an audiobook before bed is similar to meditation because it keeps unnecessary thoughts from creeping into your mind. Studies show that it’s a more immersive and intimate experience that can also help you fall asleep. 

• Vocabulary Helper. When you listen to audiobooks, you learn how to pronounce difficult words and learn their meaning through the context of the dialogue. You may not be able to guess the spelling of the word, but your curiosity could lead you to investigate further. 

• Koush Hollow. Horror/Fantasy/Southern Gothic. This is a brand-new audiobook release from The Parliament House Press, and it offers an original story that’s a great choice for all readers. It’s a chilling, yet hopeful tale of one girl’s resistance to an elite world of wealth and class and her brave questioning of the strange happenings around her. The talented Erin Seidel gives voice to an eclectic cast of characters and her narration captures the youthful, idealistic character of Jenna as she is transformed from a disillusioned girl to one who honors her convictions and truths at all costs in a riveting story set in the mystical bayous of New Orleans. Available on Audible, Amazon, and iBooks.

For your listening pleasure, enjoy a sweet cocktail from New Orleans that pairs perfectly with the audio version of Koush Hollow. 

BEST-EVER HURRICANE from Delish

2 oz. light rum

3 oz. dark rum

6 oz. passion fruit juice

6 oz. orange juice

2 tbsp. grenadine

Ice

2 Orange slices

2 maraschino cherries

In a large liquid measuring cup, combine rums, passion fruit juice, orange juice, and grenadine.

Pour over iced-filled glasses.

Garnish each glass with an orange slice and a maraschino cherry.

Find the original recipe at Delish. 

Here's a brief intro to my new audiobook. Click the audible link below to hear more.

After her father’s untimely death, Jenna Ashby moves to Koush Hollow, a bayou town outside of New Orleans, dreading life with her wealthy mother. As the 16-year-old eco-warrior is introduced to the Diamonds & Pearls, her mother’s exclusive social club, she comes to the troubling realization that secrets are a way of life in Koush Hollow: How do the Diamonds & Pearls look so young, where does their money come from, and why is life along the bayou disappearing? As Jenna is drawn into their seductive world, her curiosity and concerns beg her to uncover the truth. However, in this town where mysticism abounds and secrets are deadly, the truth is not what Jenna could have ever imagined.

BUY LINKS 

Audible

Amazon  

Apple  ‎

Leigh Goff is a young adult author with type 1 diabetes who is inspired by caffeine, enchanted spells, and unforgettable, star-crossed fates.

 Although she’s terrible at casting any magic of her own, she is descended from the accused witch, Elizabeth Duncan of Virginia, who went to trial in 1695 for charges including bewitching livestock and causing birds to fall from the sky. 

Learn more about Leigh Goff on her website and blog. Stay connected on Facebook, Instagram, Pinterest, and Goodreads.

 

Sweeten The Season

from Sharon Ledwith

A real crowd pleaser at small holiday gatherings such as book clubs or intimate bridal and baby showers, this chocolatey, sweet treat will tempt even the most disciplined of us. If cherry is your go-to fruit that makes your mouth think you’ve swallowed a piece of heaven, then read on if you dare to concoct this sinful chunk of bliss.

CHOCOLATE CHERRY CHUNK LOAF

A bit of butter for greasing the loaf pan 

1¼ cups + 1 tsp. all-purpose plain flour 

¼ cup cocoa 

2 tsp. baking powder 

¼ tsp. salt 

¾ cup granulated or caster sugar 

1 cup cherry yogurt 3 large eggs lightly beaten 

1 tsp. vanilla ½ cup mild vegetable oil 

1 cup cherries 

¼ cup sweet chocolate chips 

1 cup walnuts, chopped, use less if you prefer

Preheat oven to 350° F (175° C or 165° for fan ovens, Gas Mark 4).

Grease a 2 lb. (8 ½ x 4 ¼ x 2 ½ inch) loaf pan.

Remove the pits from the cherries and cut each one in half. Place cherries in a small bowl, sprinkle the 1 teaspoon flour over top and toss gently.

Sift 1¼ cups flour, cocoa, baking powder, and salt into a medium bowl.

Stir in sugar, chocolate chips, and walnuts. Set dry ingredients aside.

In a large bowl, whisk together yogurt, eggs, vanilla, and oil.

Add yogurt mixture to dry ingredients. Beat with a wooden spoon until all the flour is mixed in and the batter is smooth.

Gently fold in the flour-coated cherries.

Pour batter into prepared loaf pan. Bake for 40-50 minutes or until cake tester inserted in the center of the cake comes out clean.

Cool in pan for 20 minutes, then remove cake and place it on a wire rack to cool completely.

 THE GLAZE

1 cup icing sugar, confectioner’s sugar 

2 tbsp. maraschino cherry juice 

1 tbsp. water 

Drop of pink food coloring, optional

Pour icing sugar into a bowl. Whisk in maraschino cherry juice.

Gradually whisk in water, a drop or two at a time, until a smooth, drizzle-able consistency is reached.

Whisk in food coloring, if using.

While you’re waiting on your loaf to bake and cool, how about taking a break by delving into one of my books? May I suggest a visit to Fairy Falls, or if you’re feeling really adventurous, a trip back in time with The Last Timekeepers? Whichever you choose, either series will entertain and engage, pulling you into another time and a different place.

The only witness left to testify against an unsolved crime in Fairy Falls isn’t a person…

City born and bred, Hart Stewart possesses the gift of psychometry—the psychic ability to discover facts about an event or person by touching inanimate objects associated with them. Since his mother’s death, seventeen-year-old Hart has endured homelessness, and has learned ways to keep his illiteracy under wraps. He eventually learns of a great-aunt living in Fairy Falls, and decides to leave the only life he’s ever known for an uncertain future.

Diana MacGregor lives in Fairy Falls. Her mother was a victim of a senseless murder. Only Diana’s unanswered questions and her grief keeps her going, until Hart finds her mother’s lost ring and becomes a witness to her murder.

Through Hart’s psychic power, Diana gains hope for justice. Their investigation leads them into the corrupt world threatening Fairy Falls. To secure the town’s future, Hart and Diana must join forces to uncover the shocking truth, or they risk losing the true essence of Fairy Falls forever.

AMAZON BUY LINK

Sharon Ledwith is the author of the middle-grade/YA time travel series, THE LAST TIMEKEEPERS, and the teen psychic mystery series, MYSTERIOUS TALES FROM FAIRY FALLS. When not writing, researching, or revising, she enjoys reading, exercising, anything arcane, and an occasional dram of scotch. Sharon lives a serene, yet busy life in a southern tourist region of Ontario, Canada, with her hubby, one spoiled yellow Labrador and a moody calico cat.

Learn more about Sharon Ledwith on her website and blog. Stay connected on Facebook and Twitter, Goodreads, and Smashwords. Look up her Amazon Author page for a list of current books. Be sure to check out THE LAST TIMEKEEPERS TIME TRAVEL SERIES Facebook page.

 

Holiday Magic

CHRISTMAS AROUND THE WORLD

from Linda Lee Greene, Author/Artist 

How much easier it would be for me to fulfill a commission to write an article titled ‘Christmas Around the World,’ if I were actually free to travel, but I do not have that freedom for various reasons. Therefore, I call on my crafty Muse to settle on my shoulder and whisper in my ear an imaginary tale of travel, one in which I call on a number of women in faraway places, each of whom is immersed in high holiday celebrations unique to her culture. I am giddy over the prospect of beginning my make-believe trip with my Muse depositing me smack-dab in the presence of a Native American sister. 

Seven Sisters
acrylic painting by Linda Lee Greene

Paulette welcomes me into her kitchen and then very graciously explains that embracing the Christian tradition is a thorny issue for many of her people given the injustices that America’s indigenous people have faced under white domination, both in the past and the present. Even so, the good spirit of the season permeates her culture in admirable ways. “You showed up just in time to catch me before I leave for a meeting of the Partnership with Native Americans (PWNA),” Paulette informs me. Responding to the quizzical look on my face, she continues. “We spread holiday cheer in the way of blankets, nutrition and education services, medical screenings, and more to over 30,000 of our Elders, children, and families in approximately 110 reservation communities here in the Northern Plains and the Southwest. Winter is brutal in these reservations and rural communities, and we work hard to come together in the spirit of giving at this special time.” Upon making my exit into a frozen morning, I drop a couple of Andrew Jacksons into Paulette’s PWNA donation basket and cringe at the gruesome symbolism of that particular face being imprinted on those U. S. $20.00 bills. 

I suppose my Muse took pity on me and decided to thaw me out, because in the blink of an eye, I am stretched out on the blinding sand of a beach in Melbourne, Australia. I am clad in a bathing suit, and the unmistakable aroma of seafood sizzling on a grill within smelling distance floods my mouth with saliva. Jingle Bells, the jolly Christmas song, rings out from an electronic device. The incongruity is not lost on me as I push to my feet to the greeting of a scantily-clad blonde goddess waving a barbecue fork in her hand. “We thought you were dead to the world, myte,” she says to me. “Come on and git yerself a plyte. It’s prawns on the barbie, stryght from Dad’s boat this mornin’.” Kathryn is the name of this supernatural being, and she is only one of many just like her in her large circle of beach party buddies. Someone thrusts a frosty bottle of beer in my hand and I recoup my senses enough to inquire, “Jingle Bells?” “What else?” Kathryn replies. “It’s Christmas! Eat up! Drink up! The day is jist gittin’ started. You don’t want to miss Carols by Candlelight tonight.” “Carols by Candlelight?” “Yeh, you know! The big charity evint to help out the needy in the community.” To get in the spirit of things, I chug the cold beer and pretend the hot white sand squishing between my bare toes is bone-chilling snow. 

A strong scent reminiscent of home that I am powerless to resist lures me away from summertime Melbourne to a cozy dining room in Tokyo, Japan. A table laden with buckets of Kentucky Fried Chicken is occupied on all sides by a young Japanese family comprised of a mother, father, and two children. Apparently, I am the only dinner guest at what Aimi, the lovely mother, explains to me is their “hidden Christmas”. While the stigma of what in Japan is mainly a secular event is dissipating thanks to ubiquitous Western influences wrought through television and social media, influences such as America’s KFC as the food of choice for Christmas Day in Japan, still many people whose leanings remain Shinto or Buddhism, observe the day on the quiet. “It ruffles fewer feathers that way,” an otherwise very Japanese Aimi tells me in ironical American terminology.         

Muse is anxious to send me further into my whirlwind tour, and next, and for a minute or two, I wonder if Muse has time-slipped me back to America’s Old West as the gentle steed on whose back I ride trots me beneath a wide, wood archway that spans an opening in split-rail fencing on both sides. The fencing wanders and then evaporates into what appears a boundless, misty landscape. A carved sign in wood at the crest of the archway proclaims, “LET’S GO GREEN!” And then I know I am in current time, the ominous Climate Change time that does not withdraw to a voiceless corner even on Christmas Day. Great plumes of crystalized breath billow from the nostrils of the horse, and my own frosty breath hazes the lenses of my spectacles. I am in cold, cold country—not quite to the Arctic plain, but close enough, I am pretty sure. No level treeless tundra is this, though, for there are evergreen trees, evergreen trees upon evergreen trees as far as the eye can see, planted in deliberate, neat and regimental rows, like line upon line of locked-arm chorus girls frocked in frilly green. Donned in blue-jeans and a fleece-layered black-and-red-plaid flannel shirt, a Paul Bunyan-like figure materializes out of nowhere suddenly. “Welcome to Saskatchewan’s Evergreen Tree Farm. We’ve been expecting you. I’m Anne,” this burly Canadian female greets me. “You look like you need a warm-up. Come on up to the house. There’s a rum and brandy hot toddy there with your name on it.”       

A profusion of Christmas decorations, evergreen garlands, and twinkling lights at every door, window, and eave forms an almost impenetrable obstacle course to the entrance of the place. In the wake of my hostess, I step across the threshold and enter a winter wonderland, a plethora of all things Christmas. A steaming mug of the hot toddy beckons me to the table upon which it rests, and on the stovetop, the valve on the lid of a pressure cooker dances up and down. The aroma emitting from it is heavenly. “Have you ever had frontier bison stew?” Anne asks me. My stomach drops to my toes and I shake my head. I feel my enthusiasm wilt to a point of no return. I am not so sure my belly is ready for frontier bison stew. “I thought bison was an endangered species,” I state, my mouth going desert-dry in my unease. “Our First Nation people have taken the herds in hand and are bringing the numbers back to almost double now,” Anne explains. “The grazing habits of the herds are also reestablishing the indigenous grasses that are much better carbon capturers than non-native plant-life that was introduced in colonial times. With their bison and my trees, the First Nation people and I are working hard to do right by Mother Nature.” 

Don’t get me wrong. My gratitude for all of Anne’s hospitality is as mammoth as the woman herself. This big-hearted female had a hot toddy waiting to warm my icy bones. And it wouldn’t surprise me one bit if she had grabbed that bison by its horns in her immense lumberjack hands and wrestled it to the ground all by herself, and then saw to all further machinations to get it into her pressure cooker just in time for my arrival at her tree farm this Christmas Day. And while I also appreciate all the laudable environmentalism, suffice to say that my main motivator at the moment is finding a gracious way of sidestepping Anne’s looming offer of a bowl of that bison stew. I send a private, silent message to my Muse that I am ready to move on to the next spot on my journey. Muse hears my plea and at mach-speed, I turn up in Jerusalem of all places, which I am to learn is planet Earth’s ‘City of Three Christmases’. 

While terrorists are wiping out Christians far and wide in the Middle East, the Jewish state of Israel is the one place in the area in which Christians can practice their religion freely. Their number is small: only about 2.5% of the total Israeli population, but Christmas celebrations are large. I meet up with Susan in a library on an outskirt of Jerusalem. She leads me to a table on which lays an enormous tome. She invites me to sit next to her, and she opens the book and I follow along as she spins an intriguing and complex story of Christmas in Jerusalem, the index finger of her right hand tracing the lines on the pages like a sightless person reading braille. Now and then, her head lowers to within mere inches of the book for a closer look at the ancient, fading text, and a crucifix suspended from a silver chain around her neck drops forward and drags across the pages. It seems a confirmation, of sorts. 

Christmas on Mithoff Street 
watercolor painting by Linda Lee Greene

“The Christmas story took place in Israel,” Susan reminds me. “But through the centuries, and for a variety of reasons, the different factions of Christians have not come to a meeting of minds on the actual date of the birth of Jesus. So you see, Christmas in Jerusalem is not a one-day affair. Roman Catholic and Protestant Christians celebrate the day on December 25^th. Orthodox Christians do so on January 6^th, and Armenian Christians on January 18^th.” Susan implores me to stick around and partake of an array of dazzling festivities commemorating the holiday, but by this time, I am more than ready for crisp air and fluffy snow and a bona-fide traditional Christmas as I recognize it to be—a Midwest America Christmas of time spent with family and friends, of sharing food and memories, of gift-giving and receiving amid the ambience of a gorgeously adorned Christmas tree and sparkly mantel and tabletops aglow in candlelight. As ever, my Muse reads me and transports me back to my home. 

My wise Muse arranges my return trip to be a bit slower than my arrivals had been, to give me time to reflect on all I had experienced. The impression most indelible in my memory is the evidence of Creator’s handiwork in those places, of the sights and sounds and aromas, and in the people and their talismans for good such as Paulette’s donation basket, Kathryn’s barbecue fork, Aimi’s KFC bucket, Anne’s trees, and Susan’s crucifix. And I wonder now, what’s in store for me on my next go around!      

Readers were introduced to American Nicholas Plato in multi-award-winning author Linda Lee Greene’s A Chace at the Moon, which was published in 2019 and is available for purchase at Amazon. 

Greene takes readers on yet another adventure of Nicholas’ whirlwind life in her Garden of the Spirits of the Pots, A Spiritual Odyssey. In this sequel, Nicholas shows up in Sydney, Australia. The principle plotline unfolds as on one Saturday of sightseeing he gets lost in Australia’s forbidding yet alluring outback, and there he happens upon a pintsized hut on a lonely plot littered with hundreds of clay pots of every size and description. Driven by a deathly thirst, he stops. A strange little brown man materializes out of nowhere and introduces himself merely as ‘Potter’ and welcomes Nicholas to his ‘Garden of the Spirits of the Pots.’ Although Nicholas has never laid eyes on Potter, the man seems to have expected Nicholas at his bizarre habitation and displays knowledge about him that nobody has any right to possess. Just who is this mysterious Aboriginal potter? 

Although they are as mismatched as two persons can be, a strangely inevitable friendship takes hold between them. It is a relationship that can only be directed by an unseen hand bent on setting Nicholas on a mystifying voyage of self-discovery and Potter on revelations of universal certainties. 

A blend of visionary and inspirational fiction with a touch of romance, this is a tale of Nicholas’ journey into parts unknown, both within his adopted home and himself, a quest that in the end leads him to his true purpose for living. 

Garden of the Spirits of the Pots is available in eBook and/or paperback on Amazon. 

Multi-award-winning author and artist Linda Lee Greene describes her life as a telescope that when trained on her past reveals how each piece of it, whether good or bad or in-between, was necessary in the unfoldment of her fine art and literary paths.
Greene moved from farm-girl to city-girl; dance instructor to wife, mother, and homemaker; divorcee to single-working-mom and adult-college-student; and interior designer to multi-award-winning artist and author, essayist, and blogger. It was decades of challenging life experiences and debilitating, chronic illness that gave birth to her dormant flair for art and writing. Greene was three days shy of her fifty-seventh birthday when her creative spirit took a hold of her.

She found her way to her lonely easel soon thereafter. Since then Greene has accepted commissions and displayed her artwork in shows and galleries in and around the USA. She is also a member of artist and writer associations.

Visit Linda on her blog and join her on Facebook. Linda loves to hear from readers so feel free to email her.

 

 

Challenging Times For Writers

A Shapeshifter Called Harper

 from Carol Browne

You’re expecting to read about a shapeshifter called Harper now, I know, but it’s why this character is called Harper that is the reason for me writing this blog. The name was originally Tyler.

Tyler was the MC in a sci-fi novella entitled The Star Attraction, which I wrote in 2016. In May 2019, I was offered a contract for the book by my publisher. Said publisher closed down a few months later and that was that. Following this, I found myself dealing with a multitude of life problems, not to mention my other books and the demise of my third publisher. Hence, it was only in July 2022 that I found time to submit this book elsewhere (no verdict as yet!). Meanwhile, I am writing a sequel.

This week I saw a promo post on Facebook for a new release and, lo and behold, the male protagonist is a shapeshifter called Tyler. What are the odds? I might have been the first person to use this name in this way, but the other author got published so Tyler is damned and has morphed into Harper (which seems apt).

In this same week, a fellow author was distraught when she found that her latest manuscript, which she was about to send to her agent, has the same theme as another recently published book. I won’t reveal the theme, but it is such a novel, specific and original concept that it beggars belief that someone else came up with the very same idea. I hope she and her agent can find a way around this dilemma.

Last year I had an idea for a crime thriller, and I believed that the crime and the reason behind it was so outlandish and original that the chance of anyone else coming up with the idea was remote. More fool me. Yet another of those promo posts on Facebook was to show me the error of my ways as a concept I had deemed so unusual and unique was there for all to see in someone else’s stylish new book trailer. Meanwhile, as I toyed with the idea of an epic fantasy involving women with magic powers, I found that my story had already been given its marching orders by The Wheel of Time.

When there’s nothing new under the sun, it’s a challenge trying to create original concepts, and even more difficult to avoid accusations of plagiarism even though you had no idea that your ideas duplicated someone else’s. In the same way, it’s not possible to be aware of every book that has been, is being, or will be published. The fact that there’s no copyright on titles is a small crumb of comfort!

So, what is going on? Is it the Collective Unconscious that causes so many people to have the same ideas at the same time? How often does this happen to other authors and what do they do about it? Would any author reading this blog have changed Tyler to Harper or kept the original name? I’d love to know.

For now, my shapeshifter is called Harper. I lay claim to this in writing in the hope that there aren’t any other shapeshifters called Harper out there already! If there are and anyone has any objection to mine, speak now or forever hold your peace!

Once upon a time a little girl wrote a poem about a flower.
Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.

Over the years poems and stories flowed from her pen like magic from a wizard’s wand.

She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.

But inside her still is that little girl who loved Nature and discovered the magic of words.

She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter. 

Fantasy author Carol Browne is a published author who is currently seeking an agent.

 

Can This Problem Be Fixed?

The Death of Customer Service

from Anne Montgomery

Yep! It's gone the way of the dinosaurs.

Now listen, children, as we discuss a strange phenomenon that existed many years ago. It’s not exactly extinct, but it's so rare today, most people haven’t ever experienced it, save for those of us who are…um…old.

I’m talking about “customer service” which, by definition, is the support a company offers their customers. Support both before, during, and after one purchases a product, which makes being a customer, well, nice.

Once upon a time, kind workers hurried to assist shoppers with their acquisitions and if you called on the phone an actual person – who was generally very sweet – would work hard to help a buyer overcome any problems or concerns.

But somewhere along the way, customer service went the way of the dinosaurs.

“Excuse me sir,” I said holding out a bill that I’d received from AT&T. "I was accidentally charged for two cellphones instead of one, so my bill is double what it should be.” I smiled sweetly.

A long time later, while I watched the gentleman poke his tablet, he threw up his arms. “I can’t help you.”

I then requested to see the manager.

“I’m very busy right now,” the young woman said in a huff. “I will get to your problem tonight after five. I’ll call you.”

Think about it. When was the last time you felt like a company cared about your satisfaction?

Though my first thought was to mention that there seemed to be no unattended customers in the store, I acquiesced. That evening, I waited. No call. So, I returned the next day and the whole scenario replayed itself. I felt like Bill Murray in Groundhog Day. I smiled. “You didn’t call me,” I said in my most honeyed voice.

“Yes, well…” she sputtered. “I’ll get to it later.”

I am loath to admit that the not-so-nice version of me began leaking out. “I think you should sit down and we can take care of it now.”

She stared around the room, as if looking for cover. Then, to my surprise, she sat. Still, the outcome was not what I expected. After fussing with her tablet, she called over the first guy I’d dealt with and insisted he would fix the problem. Then she promptly disappeared. I’m not sure what she thought had changed from his inability to help me the day before, still I found myself facing him again.

Finally, with my day slipping by, he stared at me. “You should call AT&T’s customer service line.”

"I don't want to wait on hold. Couldn't you call for me?" I folded my hands and batted my eyes.

He refused.

Now, I’m not the type to get loud or angry in public. After all, I was a sports official for 40 years and, in that capacity, I wasn’t allowed to lose my cool. Still, when I stood and followed him to a payment kiosk, he barked. “You stay six feet away from me!”

I squinted. I was doing my social-distancing due diligence. Did he think I – a little, 65-year-old woman – might kick his ass. (Yes, it occurred to me, but I promise you I did nothing untoward.)

Soon thereafter, my sweetie pie and I were searching the isles at Home Depot. He asked one of the employees for help and the man shouted, “I’m having a bad day!”  After which, he threw his clipboard and stalked away, leaving us to fend for ourselves. Then, one of our favorite restaurants, which we have patronized for years, gave us poorly done take-out and refused to replace it. And I can’t count the hours I spent on hold with Amazon and Social Security and Medicare and Cox Cable, often not connecting with a single human being and getting little or no satisfaction in regard to the issues I called about. "I'm sorry. I can't help you. I'll connect you with someone who can." Then click, you're disconnected after waiting on hold for half an hour and you're forced to begin the whole dreary process again. 

Here’s the thing. All of this pretty much happened in the same couple of weeks.

So, the question is, why are we, the customers, being treated so badly? Companies are shunting their customer service responsibilities as they hide behind technology. “Please listen to this recording as our options have changed.” “Please go to our website.” “We are experiencing very long wait times, so call back later.”

Eieee!!!

Imagine the joy if you got to speak with a real person who actually solved your problem in a reasonable amount of time.

What can we do? Not much probably, though it would be nice to see a website that listed corporations according to their customer-service amenities. Just think, wouldn’t it be lovely to be able to choose companies with which to do business according to their efforts on our behalf? Imagine the joy if a real person answered our call promptly, sincerely listened to our complaint, and kindly rectified the issue in a reasonable amount of time.

Bliss!

Sadly, that probably isn’t much more feasible than bringing the dinosaurs back to life.

Still, a girl can dream.

Here's a brief intro to my latest women's fiction novel for your reading pleasure.

A reporter seeks information on an eleventh century magician and discovers that black market sales of antiquities can lead to murder.

In 1939, archaeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate beadwork, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine-hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

Happy Listening

DO YOU HEAR WHAT I HEAR

from Catherine Castle

The other morning while having breakfast my husband said, “Listen. Do you hear that?”

"What?” I asked.

“That whoosha whoosha sound.”

I listened intently. “Nope. All I hear is the ticka ticka ticka of the refrigerator in its thaw cycle.”

“No,” he replied. “It’s definitely a whoosha whoosha.”

I cocked my head toward the fridge. “No it’s ticka ticka.”

“Wait,” he said. “It’s changed. It’s now zzz zzz zzz, like the vibrating sound my toy football players used to make on their metal field.

“That’s more of a rooma rooma rooma noise.” I replied.

“No. It’s zzz zzz zzz,” he insisted.

Breakfast was on hold and the cereal got soggy in our bowls as we argued back and forth while the sounds of the thawing cycle of the fridge changed every few minutes. Neither of us heard what the other heard. Finally, the debate ended with a ka-thunk at the end of the defrost cycle. Silence filled the kitchen.

“I don’t hear anything now.” I spooned up a serving of mushy bran cereal, anxious to get back to my breakfast before it dissolved any more.

“Tick tock tick tock,” hubby said as the Mickey Mouse clock second hand rounded the clock face.

“I hear that,” I said. It was the only sound we agreed on, and it’s one that is universally known to represent a clock.

Now, I know men are from Mars and women are from Venus, and we are different in sooooo many ways. But I always thought hearing was hearing. After all, our ears, male or female, are built the same way. We have the same little ear canals connected to the same parts of the brain. I knew, even when I couldn’t hear the sounds, what the writers meant when Batman and Robin fought the bad guys and cartoon balloons appeared on the television screen screaming BAM! POW! SOCKO!

But that morning in the kitchen I had a revelation: I wasn’t to blame when I couldn’t get a mechanic to understand me! All those years I failed to fully communicate with male mechanics wasn’t because I lacked something.

When my husband describes a funny sound in our car, the mechanics all nod their heads knowingly. But when I describe the odd sounds, the male mechanics look at me like I have two heads. I always wondered why I could never get my point across to them, no matter how many times I repeated the explanation of the sounds.

Now, I know why. Apparently, men lack the finite hearing of a woman. They don’t hear things right. A rattle rattle, clatter clatter, boom boom boom probably sounds like chicka chicka, sissa sissa, thunk thunk thunk to them. And anyone with a pair of ears can hear that there’s a world of difference between the two sounds.

Hummm. Maybe I need a female mechanic. She’ll get it. Unlike a guy.

What about you? Does your man hear the same things you do? And I don’t mean when someone speaks to you. But that’s a whole ’nother blog post.

May your upcoming Holidays be happy and bright!

Catherine

Take your mind off the sound discrepancies between men and women with a copy of Catherine’s award-winning romantic comedy that has a touch of drama. You’ll laugh as Mama searches for a husband for her daughter.

One date for every medical test—that’s the deal. Allison, however, gets more than she bargains for. She gets a Groom for Mama.

Beverly Walters is dying, and before she goes she has one wish—to find a groom for her daughter. To get the deed done, Mama enlists the dating service of Jack Somerset, Allison’s former boyfriend.

The last thing corporate-climbing Allison wants is a husband. Furious with Mama’s meddling, and a bit more interested in Jack than she wants to admit, Allison agrees to the scheme as long as Mama promises to search for a cure for her terminal illness. A cross-country trip from Nevada to Ohio ensues, with a string of disastrous dates along the way, as the trio hunts for treatment and A Groom For Mama.

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Multi-award-winning author Catherine Castle has been writing all her life. A former freelance writer, she has over 600 articles and photographs to her credit (under her real name) in the Christian and secular market. Now she writes sweet and inspirational romance. Her debut inspirational romantic suspense, The Nun and the Narc, from Soul Mate Publishing, has garnered multiple contests finals and wins. Catherine loves writing, reading, traveling, singing, watching movies, and the theatre. In the winter she loves to quilt and has a lot of UFOs (unfinished objects) in her sewing case. In the summer her favorite place to be is in her garden. She’s passionate about gardening and even won a “Best Hillside Garden” award from the local gardening club. Learn more about Catherine Castle on her website and blog. Stay connected on Facebook and Twitter. Be sure to check out Catherine’s Amazon author page and her Goodreads page. You can also find Catherine on Stitches Thru Time and the SMP authors blog site.

 

Revising Old Stories

MOVING ON

From Alicia Joseph

When I was in college, back in 1998, I took a creative writing course where I wrote two horribly written short stories and some really bad poems. The stories were called The Hideout and The Attic. Apparently, I wasn’t very creative with titles back then.

To this day, I don’t know why I didn’t toss those papers in the trash the moment the semester ended. But not only did those pages make the trip back home with me, they managed to survive a couple decades in a bin with so many of my other failed writing attempts. 

About eight years ago, (damn time flies) I pulled out that dusty bin and went through those old writings. It had been a while since I’d written at that time, and I wanted to get back into it. After all, being a writer was always my dream. Life, with all of its distractions, had pulled me off course for a little while, but I found my way back to it, and I thought past writings was a good place to start. 

Turns out, I was right. 

Even though those old stories were really bad, as I read through them, I found a storyline in each I could build on. I turned The Hideout into a novel titled A Penny on the Tracks that was published in 2017. It’s an LGBTQ coming-of-age story about friendship, loyalty, and the struggles of coming out. The story revolves around two best friends, Lyssa and Abbey, who discover a hideout near train tracks. They spend the summer before sixth grade hanging out and finding freedom from issues at home. But their innocence shatters when the hide becomes the scene of a tragic death. 

As for the other story, The Attic, that one went through many rewrites with two major plot changes and took me two extra years to write. It was frustrating and many times I wanted to give up, move on to another story, but it was contracted. The new name of that book is Annabel and the Boy in the Window. I’m unable to put into words the relief I feel in finally putting that story to rest. 

I am now in the process of revising what was my first attempt at writing a full-length novel that I wrote shortly after graduating college. I had finished it, but as with the short stories, the writing was horrible. 

So, in the bin those pages went. A couple of years back I fished the pages out of the bin. Just like the short stories, I found a storyline I could work with. I hope to be finished with the story my summer. After that, I have two more previous attempts at novels I will look at and see if there’s a storyline in them to work. 

Despite having a drawer full of new story ideas, I can’t leave my old stories behind. They take up too much space in my head. I need them gone before I can fully concentrate on new projects. 

If you’re a writer, do you keep old stories? How do you decide which ones to salvage and which one to let go? I now realize it’s not just old stories I have a hard time letting go. Past relationships, old friendships, cherished memories from a time that can never be lived again, all have a hold on me.

Here is a glimpse into my coming-of-age novel A Penny on the Tracks. I hope you enjoy it.

"When a train runs over a penny, the penny changes form, but it can still be a penny if I want it to be. Or, I can make it be something else." 

Lyssa and her best friend Abbey discover a hideout near the train tracks and spend the summer before sixth grade hanging out and finding freedom from issues at home. Their childhood innocence shatters when the hideout becomes the scene of a tragic death.

As they're about to graduate high school, Abbey's family life spirals out of control while Lyssa is feeling guilty for deceiving Abbey about her sexuality.

After another tragic loss, Lyssa finds out that a penny on the track is sometimes a huge price to pay for the truth.  

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Alicia Joseph grew up in Westchester, Illinois. She has many works-in-progress that she hopes to finish soon. Life permitting.

When she is not writing, Alicia enjoys volunteering with animals, rooting for her favorite sports teams, and playing “awesome aunt” to her nine nieces and nephews.

Learn more about Alicia Joseph on her blog. Stay connected on Facebook and Twitter.

 

Memories

POPPAW’S JUG

 From Linda Lee Greene, Author/Artist

In light of so many unspeakable tragedies in an out-of-control world, to put hopeful words of any kind to paper touches on the grotesque. However, life’s troubles concurrently remind us of our courageous ancestors who sacrificed so much to pave the way for us. They would roll over in their graves if we give into helplessness and are thus struck silent. To be human is to contend with disaster and the grief it leaves in its wake. We must express our grief even as we attempt to master our despair. We have learned through our everyday living that grief can be transformed as something bearable through acts of love. To honor our traditions is an act of love that celebrates and validates our forebears. It is also a comfort-seeking pursuit for us as we carry on in their absence. The following is a true story. It recounts such an act of love on the part of my family:

“My maternal ancestors were faithful to their generational commitment to express their respect and gratitude to their deceased relatives and friends by visiting their graves on every holiday and change of seasons. Each visit involved decorating and maintaining the graves.

Back when my mother and her siblings were youngsters, their old car of the day being too small to accommodate their large brood, their mighty team of broad-backed workhorses, Roger and Smoky by name, pulled the heavy, buckboard wagon on their visits to the various graveyards in the area. Mommaw and Poppaw, taking a rare break from the demanding duties of their farm, were at the helm of the wagon. Dean, the baby of the family, sat between his parents on the high seat of the buckboard, a vantage point that overlooked the ample rumps of the horses. In the back, the seven other children, my mother among them before she was my mother, sat on bound bundles of hay perched vicariously on the gaping floorboards that formed the flat bed of the conveyance. The group of them, in perfect harmony and at the top of their lungs, accompanied by Uncle Bob and Uncle Bussy on their mandolins, sang the old song, “On Top of Old Smoky,” while the groaning wagon appeared in danger of imploding from the weight of its human cargo and the strain of the rough terrain that suffered its challenged wheels and chassis. Years later and as the first grandchildren born to the family, my brother and I also rode on that wagon on similar excursions, singing that old song in unison with our aunts and uncles at the top of our voices. My brother and I then got to ride between Mommaw and Poppaw on the high seat that overlooked the broad backs of Roger and Smoky. I was a grown woman and married, with children of my own when suddenly one day it dawned on me for the first time that the song was about the Great Smoky Mountains rather than a horse named Smoky.

I still can see in my mind’s eye the wobbly wheels of the buckboard and the iron-shod hooves of the horses kicking up clouds of dust on the deeply rutted, mud-caked lanes that lead to the remote cemeteries. One of my prized possessions is the old, earthenware jug that contained the grease Poppaw used to lubricate the screeching wheels of the buckboard. The interior of the jug’s fissured walls are coated to this day with black and slick remnants of the grease. During those journeys, every once in a while, Poppaw yelled, “Whoa, Roger…Whoa Smoky,” and the buckboard came to a grating halt. While the horses snorted from their huge nostrils and pawed the ground with their heavy hooves, their hot bodies steaming and making auras of their perspiration all around them, down from the high seat on his long legs Poppaw jumped, pulling the jug from beneath the seat, a stick jutting from its open top. The working end of the stick was wrapped in a grease-blackened cloth, and he smeared the axles of the wheels with it.

At the entrance to the road that loops the community of Cedar Fork where my parents spent their formative years, although several new homesteads have sprung up over the years, still it feels to me as if I’m entering an evolutionary backwater, a safe haven cut off from the rest of the world. These days I come to call in my car rather than on a buckboard. I take the right turn in the loop that leads past “Greene Acres,” the location of the fallen log cabin where my father and his family lived back in those days. I pull my car into the area, park, and then walk to the edge of the property, its border high above Cedar Fork Creek.

In the canyon below, sunlight filters through the trees, winking gaily upon the rushing water of the creek. I stretch my eyes to get a glimpse of the footbridge by the ancient, mountain spring that was the source of drinking and cooking water for my father’s large family long ago, and a bright ray of sun, as if switched on for my benefit by the Hand of God, isolates it and sets it aglow. I take it as a “token” message, a greeting from the spirit of my paternal grandmother, and I smile and wave at her as if she is actually standing there. Satisfied that my presence has been acknowledged and welcomed, I return to my car. Over the decades, the markers of my deceased, maternal relatives have accumulated in the graveyard in Cedar Fork, and I am shocked, as always, at the increased number of them, as beneath the tires of my car the gravel on the lane to the small, country cemetery loudly pops and crunches. There exists a legend that birds shun other neighboring trees, preferring to gather en masse instead among the leaves of an ancient pipal tree in a shimmering land across the sea, the pipal that is said to be a direct descendant of the holy tree the Buddha sat beneath while attaining enlightenment during his days of contemplation there. It might be my prolific imagination at work, but I swear a similar phenomenon occurs in a venerable oak tree that arches above the burial plot of my family, where, among Civil War and other war veterans, upper-crust titans, and lower-caste farmers of the area, Mommaw and Poppaw, my mother and father, my sister and most of my nearest, deceased maternal kin now lie.

And as if in testimony to my childhood memories of such a phenomenon, while its abutting trees appear to be empty, huddled within the gnarled branches of the wizened, oak tree, the gathered birds are perched. As I approach the graves, my presence sets in motion the flight of the birds, their overlapped and snapping black wings, for those brief moments in time, blotting out the sun.

I have read that birds are manifest angels on earth, but I am less wise about such things than when a child. Knowing it will not be confirmed to me until I complete my own earthly journey, I leave it to the humming wheel of the universe, and to my elders, all of whom on my mother’s side of my family, are already there in Cedar Fork Cemetery, and where someday my remains will mingle with theirs.”

The above essay is an adaptation of an excerpt of Guardians and Other Angels, my novel of historical fiction and true family lore. It is available in eBook and paperback on Amazon.

Multi-award-winning author and artist Linda Lee Greene describes her life as a telescope that when trained on her past reveals how each piece of it, whether good or bad or in-between, was necessary in the unfoldment of her fine art and literary paths.
Greene moved from farm-girl to city-girl; dance instructor to wife, mother, and homemaker; divorcee to single-working-mom and adult-college-student; and interior designer to multi-award-winning artist and author, essayist, and blogger. It was decades of challenging life experiences and debilitating, chronic illness that gave birth to her dormant flair for art and writing. Greene was three days shy of her fifty-seventh birthday when her creative spirit took a hold of her.

She found her way to her lonely easel soon thereafter. Since then Greene has accepted commissions and displayed her artwork in shows and galleries in and around the USA. She is also a member of artist and writer associations.

Visit Linda on her blog and join her on Facebook. Linda loves to hear from readers so feel free to email her.