FEATURING:

One Step Nearer the Epilogue

from Carol Browne

Photo by Gaelle Marcel on Unsplash

The metaphor that likens life to a book is a common one. Viewing our progress through existence as a series of chapters appeals to our need to put things in boxes and compartments. Each chapter can be titled after a significant event or rite of passage: infancy; puberty; marriage; first job; and so on. There is no set number of chapters and each one may have different themes and moods. The length of each chapter is as variable as the length of the entire book; it is, however, generally assumed that a valuable lesson or learning experience should be included in the narrative.

The latest chapter in my own book of life is the one headed ‘Retirement’. I have longed to reach this chapter but I am fully aware of the potential dangers that lie within its pages.  For many, retirement is the end of usefulness when we become a drain on society and not a contributor anymore. It can make us feel less important and rob us of our self-respect and purpose. We tell ourselves that we have nothing to look forward to but an eventual decline into infirmity. But, as with all previous chapters, we have a choice in how we approach this new status. It’s all a question of attitude.

We can embrace our new freedom because we have earned it, and we don’t have to let ourselves go or stop learning. We can still work if we want to, but now we can choose what work we do, and when. Retirement doesn’t have to mean bingo and chamber music, complaining about the younger generation, or behaving with dignity at all times. The contribution of the elders to society should be enormous because finally we have the time and financial freedom we need to change the world. It’s not just by doing voluntary work or becoming politically active. We are now more useful than ever before because we have a lifetime of knowledge and experience and we can use that to guide those who are still struggling through earlier chapters. I would encourage all my fellow oldsters to reject the idea that they are on the scrapheap, because the fun is only just beginning.

I’m hoping ‘the undiscover’d country’ is some way off for me yet, but when they come to write my epilogue I hope it will show me in a favourable light. I hope it will include my successes as well as my failures. I would like to think I had made a difference to the world and left it in a better condition than I found it, even if it’s in a small way. I have plans for this particular learning experience and trust that the epilogue will celebrate my success. Most importantly of all, once my book is finished, I hope those I leave behind me will give it a five-star review.

Just to prove to you sitting in a rocker all day is not in my future, here's a peek at my latest epic fantasy. I hope you enjoy it.

His adventures in Elvendom left Godwin a changed man, and now bereavement has darkened his world.

In another dimension, a new Elvendom is threatened by the ambitions of a monstrous enemy. But who - or what - is the Dark Lady of Bletchberm?

And what has become of Elgiva?

Reeling from the loss of their Elwardain, the elves ask Godwin for help.
Transported into a strange world of time travel and outlandish creatures, will he succeed in his quest against impossible odds, or will the Dark Lady destroy everything the Elwardain fought to preserve?


EXCERPT
His heart thumping in his throat, Godwin took in all the details of the goblin’s appearance. The creature was probably four feet tall at most and was wearing a sleeveless leather tunic and short leggings over his skinny frame. His arms and legs were hard with thin bands of muscle; sinews moved like taut wires beneath the scant flesh. Godwin fancied that the goblin’s skin had a sickly, greenish tint, but in the firelight it was impossible to be sure.

The goblin moved in an awkward manner, not upright like a man or an elf, but slightly stooped and with bent knees, as though on the verge of pouncing. The dome of his head was as bald and smooth as a pebble, and his very long, pointed ears were attached on either side like those of a lynx. His large eyes glittered like wet malachite and between them a long, sharp nose protruded with all the aesthetic attributes of a small parsnip.

The goblin’s large eyes widened as they swivelled in Godwin’s direction, making his stomach curdle in fear and revulsion.

“Only two of you, then?” said the goblin with a smirk. “Not much of a challenge, is it?” He beckoned with his sword and others of his kind began to creep into the circle.

Godwin glanced around. There were six more of them, each carrying a sword of a curious design, the blade like a thin, metal spiral with a very sharp point. A visceral fear welled up inside him at the sight of these weapons, but he didn’t know why.

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Born in Stafford in the UK, Carol Browne was raised in Crewe, Cheshire, which she thinks of as her home town. Interested in reading and writing at an early age, Carol pursued her passions at Nottingham University and was awarded an honours degree in English Language and Literature. Now living and working in the Cambridgeshire countryside, Carol usually writes fiction but has also taken a plunge into non-fiction with Being Krystyna. This story of a Holocaust survivor has been well received.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

 

Auditioning 101

MAMMA MIA!

 I was so out of my league!

from Anne Montgomery 

Sometimes we do things that, as Forrest Gump would say, "Just don't make no sense."

 And I am guilty of such an act, mostly because I ignored the numbers and severely overestimated my abilities.

 I have written about the fact that I performed in a community theater production of the musical Company in the past. Though it was initially terrifying, in the end I made friends and had fun. So, it seemed rational that I give it another try. Mamma Mia was coming up and I wanted to give it a shot.

 I started singing along to the Mamma Mia CD in my car in February.  I thought I was ready. Even the cast descriptions didn't deter me. Though, admittedly, the fact that the "elder" female characters were listed as "late 30s-early 50s" should have tickled my spidey senses.

 This time around, auditions were very different. Four times the number of actors showed up. And there was improv involved. Still, I thought I had a shot at making the cast, until I arrived at the dance callbacks.

 My first clue should have been the young lady spread-eagled flat on the floor, stretching in preparation. In fact, the stage was littered with bodies of those limbering up. I was a tad bemused, as I had seen the movie and didn’t notice too much complicated-looking dancing, at least not from the named characters. Had I considered that the stage version might be vastly different from the one with Meryl Streep and her pals, I might have been forewarned.

Those hoping for a spot in the cast filled the stage facing a thin, twenty-something with a high, tawny pony tail and black leggings. She announced that we would be learning a series of dance steps.

 “OK! Face the back," she said, reminiscent of a drill instructor. " Now, hips left, then right, and spin to the front. And … right arm up high. Good. Now side step. And back. Other side. Full turn to the left and drop to your knees.”

My head popped up. Drop to my knees? Did she mean the ones that have functioned for the last 15 years thanks to the miracle of modern science, infusions injected with big-ass needles that always make me wince? Those knees?

Not wanting to stand out, I dropped to the floor. I almost bellowed like a moose giving birth, but managed to stop myself.

“Now roll over on your butt and jump up.”

In my case, said roll did not occur. I just stared at the choreographer.

“Now … leap!” She took to the air.

Leap? The thing about leaping is there always tend to be landings involved.

The choreographer encouraged us to leap in this fashion. Don't you agree it hurts just to look at this picture?

“Those of you who want to can bend your leg while leaping. Like this.” She launched herself skyward again. “Point your toes,” she said, alighting gracefully. “Second line, move up to the front.”

Hoping no one would notice, I melted into the back, which would be my primary strategy throughout the ordeal.

After an hour, we took a break. To my horror, five minutes later we were at it again.

“Let’s do another one,” she said. “This one will be easy. Even I can do it.” She smiled prettily.

What I wanted most was to go all Tonya Harding on her kneecaps. “See what you feel like when you’re over 60,” I muttered under my breath, as I mounted the stage.

Another hour passed. I longed for my chiropractor.

I know what your thinking. Why didn’t I just go sit down? Pride, I suppose. Or maybe just plain stubbornness. A few other older women had taken seats. I say “older” here with a caveat. If I had to guess, with the exception of my friend Scott, there was probably no one over 50 auditioning. Clearly, I was pretty much alone as a mid-sexagenarian.

Mercifully, the dancing finally ended. But my humiliation was not over.

Scott appeared. “Hey! You need to go in the back.”

I heard women’s voices singing Dancing Queen from backstage. “Why?”

“The mothers are auditioning,” he explained, using the term applied to the older adult women trying out for a part.

Not knowing how I could have missed the others being called away, I leapt – OK, in my mind, I leapt – onto the stage and bolted through a curtain and down a ramp toward the piano, where about eight women were lined up single file.

“I am so sorry I’m late!” I shouted.

All heads turned toward me. A woman looked up, paper and pencil in hand. “Your name?”

“Anne.”

She scrutinized the document.

The director rose from his seat.

“You’re not on the list,” he said. “You were called back only for a dancing part.”

I suddenly realized that if getting a part hinged on my dancing skills, I would need other plans for the summer. “I am … so sorry!”

I fled.

I found Scott in the seats and chastised him. It wasn’t his fault, though. He simply assumed I should be back there with the others, which in retrospect was sweet.

The director soon dismissed those of us who wouldn’t be invited to participate in any further auditions. Totally dejected, I sneaked out the back door.

When I got home, my sweetie pie stared at me. “I’m sorry,” he said without asking what happened.

I wondered if he’d had a premonition, since he already had a glass of wine poured and waiting for me.

“Maybe they did you a favor,” he said a short time later, as I sat in my jammies feeling sorry for myself, rubbing my aching knees.

I sipped my wine and pouted. “Maybe.”

Later that night, wrapped in two cold packs and a heating pad, I licked my wounds and considered whether I would ever try out for another play.

I'm thinking about it. I'll let you know.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

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Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.