Showing posts with label Author Anne Montgomery. Show all posts

Friday, July 5, 2024

Guest Author Shares -

AGING GRACEFULLY

by Anne Montgomery

I have worked out most of my life. I started ice skating at five. I skied and swam. When I was 24, I started officiating sports and called football, baseball, ice hockey, soccer, and basketball games, an avocation I practiced for 40 years. When I was 30, I got my first health club membership and I have had one ever since.

So, I’m a long-time gym rat. I’ve lifted weights, utilized aerobics equipment, and practiced yoga, but I’m primarily a lap swimmer. I mention this because recently I turned the golden corner for those of us who spend time at the gym. The reason? Silver Sneakers.

For the uninformed, Silver Sneakers is a health and fitness program that provides gym access and fitness classes for people 65 and older. It's covered by some Medicare plans. That means I no longer have to shell out those monthly fees to the health club.

The idea, of course, is to keep old people moving so they’re less likely to succumb to problems like heart disease, broken bones from falls, high-blood pressure, diabetes, cancer, and obesity. If people get exercise, chances are they won't become ill or injured, which keeps those Medicare costs down.

I've been swimming laps regularly for 35 years, so I am pretty comfortable working out.

I was feeling pretty smug the day I walked into the club and asked to be moved to the Silver Sneakers rolls. I had just finished swimming a thousand meters – sadly, I used to swim two thousand, but as I’ve already intimated, I’m old.

“Of course! I’d be happy to help,” a tall, twenty-something smiled down at me. “Sit right here. Just show me your ID and your membership card, Ms. Montgomery.”

I noted he was very solicitous.

After putting the important bits of information into the computer and handing me my new key fob, he placed both elbows on the desk. “Now, we can provide you with a free one-hour counseling session.”

“What for?”

He tilted his head. “To help you learn how to work out.”

I squinted. Did I look like I needed help finding my way around the gym? Did I look like I spent my days on the couch eating Ding Dongs? Did I look like I didn’t know a free weight from a foam roller?

Then, I had an I-glimpsed-myself-in-a-store-window moment. I know you’ve done it. You walk by a reflective surface and the person you see staring back is not the one you always imagined. I was forced to consider how this nice young man saw me. He smiled sweetly. I stared back, realizing I might now appear to be a little old lady.

I said I’d think about the offer. It certainly wouldn’t hurt to see if there’s anything I’ve been missing. I thanked him and left. Though I stared at the floor whenever I got close to a window.

This is my latest release. It’s Native American Literature and U.S. Historical Fiction. Picking a genre definitely is not easy.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Friday, June 14, 2024

Guest Author Shares A Father's Day Story

A Gift From Dad

Pondering what it means to be poor

by Anne Montgomery

When my dad was 92, he got sick. With the exception of some childhood bouts of pneumonia—the result of growing up in a house full of chain-smoking coal miners—he’d been robustly healthy his entire life. That he survived the twin assaults of Valley Fever and pneumonia was surprising. Before dying just a week shy of 97, he still took ballroom dance lessons, required not a single medication, and read the New York Times every day.

My father was an ice dancer until he was 80. Then he took up ballroom.

However, my dad was not the same as he was before his illness. His mind was altered, leaving him fuzzy in the short-term memory department. Ironically, and like many elderly people, he has no trouble recalling in vivid detail events that occurred many decades ago. The Japanese kamikaze that flew so close to his destroyer escort he could see the young pilot’s eyes before the plane narrowly missed the ship and plunged into the sea. The sailor plucked from dark, oil-slicked water who lay in his arms and asked for a cigarette before dying. The shipmate who worked as Mickey Rooney’s stunt double who sometimes climbed the mast and performed swan dives into the ocean. And the bodies of downed pilots, in a neat row on the deck, tarp covered save for their feet which rocked rhythmically as the ship swayed beneath the night sky, waiting to be buried at sea.

My father served on a destroyer escort during World War II. The men of the USS Ulvert Moore fought in numerous battles, including Iwo Jima and Okinawa.

Bright and clear is another memory my dad carries, one of a ten-year-old growing up in the mining town of North Irwin, Pennsylvania. The small dwelling on Penn Avenue housed immigrants, Irish in my father’s case. But Italians, and Poles, and Russians, and others lived on the street, as well, all sharing something in common. They were poor.

“Dad’s taking you to a ballgame,” his mother called.

Clad in knickers with clasps below the knees, brown shoes and socks, and a white button-down, my father balked when she handed him a sack lunch bearing a chicken sandwich and a small red apple.

“I wanna get lunch when I get there,” he said. “Everyone buys their lunch at the ballgame.”

My grandfather— thin, balding, blue eyes dancing beneath the brim of a fedora—smiled, then ushered my dad to the train station. There was no money to make the trip to Pittsburg’s Forbes Field, but my grandfather worked for the railroad, one of the few members of the Butler clan to avoid laboring in the mines, so they rode the train for free.

My dad still clutched his sack lunch on the street car that would drop them in front of the stadium. “I wanted to hide it,” he said. “I put it under the seat because I didn’t want people to see it.”

After disembarking at Forbes Field, they were caught in an excited wave of baseball fans rushing to get into the game. When they settled into their seats, my dad tucked the brown bag out of sight.

The game got underway, but then a strange murmuring swept through the crowd. My dad turned and, up in the stands on the third-base side, he saw a couple approaching.

“The man was young, dashing. Black hair. Big smile. Well-dressed. She was a beautiful lady. Blonde. She looked like a movie star. People were waving at them.”

And there was something else.

“He was carrying a two-handled picnic basket.”

“What are you looking at?” my grandfather asked. “I think there’s gonna be a squeeze play.”

But my dad kept staring at the couple.

“Paul, you have to watch the game. Is there something wrong?” My grandfather turned.

“I don’t understand why anyone would bring a picnic basket to a ballgame unless they were real poor. He doesn’t look poor.”

“Paul, he isn’t poor!” my grandfather said. “That’s Billy Conn, the Light Heavyweight Champion of the World.”

Conn, an Irish-American boxer and local favorite called The Pittsburgh Kid, was known for being cocky and brash, his fights against Joe Louis, and his 63-11-1 record.

My dad continued to keep his brown bag hidden beneath the seat as he watched the game that day, taking a bite occasionally, hoping no one would notice. He wondered about the glamorous couple, sneaking peeks as they snacked on their picnic-basket lunch. He thought about what it meant to be poor.

A chance sighting of world champion boxer Billy Conn had my then ten-year-old father pondering what it meant to be poor.

“I should have been proud to be able to go to the ballgame,” my dad said, blinking blue eyes that look just like mine. “I learned that I shouldn’t worry about what other people might think of me.”

I thought about his wise words, a lesson he learned at the tender age of ten, a time he still recalls so vividly.

Thanks to the G.I. Bill, my father would earn a bachelor’s degree from Penn State University. When I was eight, I watched from the balcony as he received a master’s degree from Seton Hall. Because of his stint in the Navy and his education, we were never poor, something that, as a ten-year-old, he might have been comforted to know.

Here is a brief peek at Anne's latest release.

Bud Richardville is inducted into the Army as the United States prepares for the invasion of Europe in 1943. A chance comment has Bud assigned to the Graves Registration Service where his unit is tasked with locating, identifying, and burying the dead. Bud ships out, leaving behind his new wife, Lorraine, a mysterious woman who has stolen his heart but whose secretive nature and shadowy past leave many unanswered questions. When Bud and his men hit the beach at Normandy, they are immediately thrust into the horrors of what working in a graves unit entails. Bud is beaten down by the gruesome demands of his job and losses in his personal life, but then he meets Eva, an optimistic soul who despite the war can see a positive future. Will Eva’s love be enough to save him?

Praise for Your Forgotten Sons

“Although a defty crafted work of original fiction, “Your Forgotten Sons” by Anne Montgomery is inspired by a true story. An original and inherently interesting read from start to finish, “Your Forgotten Sons” will prove to be an immediate and enduringly appreciated pick.” Midwest Book Review

“This was a quick, riveting read that really challenged me to think differently about our servicemen and women, especially those who take on the jobs that don’t get heroically depicted in the media or news…I really highly recommend this book to anyone that is looking for a different take on American history. I left it with a newfound appreciation for the unsung heroes.” Bekah C NetGalley

“This is the truth. It’s gritty and painful and bittersweet – and true. When you think you’ve read every perspective of WWII, along comes Bud to break your heart.” Bridgett Siter Former Military Reporter

“Anne Montgomery writes a strong story and I was hooked from the first page. It had a great concept and I enjoyed that this was inspired by a true story…It was written perfectly and I was invested in the story. Anne Montgomery has a great writing style and left me wanting to read more.” – Kathryn McLeer NetGalley

Available at Amazon, Apple Books, Barnes & Noble, Google Books, and Kobo

Tuesday, January 19, 2021

Auditioning 101

MAMMA MIA!

I was so out of my league!

from Anne Montgomery

Sometimes we do things that, as Forrest Gump would say, "Just don't make no sense."

And I am guilty of such an act, mostly because I ignored the numbers and severely overestimated my abilities.

I have written about the fact that I performed in a community theater production of the musical Company in the past. Though it was initially terrifying, in the end I made friends and had fun. So, it seemed rational that I give it another try. Mamma Mia was coming up and I wanted to give it a shot.

I started singing along to the Mamma Mia CD in my car in February. I thought I was ready. Even the cast descriptions didn't deter me. Though, admittedly, the fact that the "elder" female characters were listed as "late 30s-early 50s" should have tickled my spidey senses.

This time around, auditions were very different. Four times the number of actors showed up. And there was improv involved. Still, I thought I had a shot at making the cast, until I arrived at the dance callbacks.

My first clue should have been the young lady spread-eagled flat on the floor, stretching in preparation. In fact, the stage was littered with bodies of those limbering up. I was a tad bemused, as I had seen the movie and didn’t notice too much complicated-looking dancing, at least not from the named characters. Had I considered that the stage version might be vastly different from the one with Meryl Streep and her pals, I might have been forewarned.

Those hoping for a spot in the cast filled the stage facing a thin, twenty-something with a high, tawny pony tail and black leggings. She announced that we would be learning a series of dance steps.

“OK! Face the back," she said, reminiscent of a drill instructor. " Now, hips left, then right, and spin to the front. And … right arm up high. Good. Now side step. And back. Other side. Full turn to the left and drop to your knees.”

My head popped up. Drop to my knees? Did she mean the ones that have functioned for the last 15 years thanks to the miracle of modern science, infusions injected with big-ass needles that always make me wince? Those knees?

Not wanting to stand out, I dropped to the floor. I almost bellowed like a moose giving birth, but managed to stop myself.

“Now roll over on your butt and jump up.”

In my case, said roll did not occur. I just stared at the choreographer.

“Now … leap!” She took to the air.

Leap? The thing about leaping is there always tend to be landings involved.

The choreographer encouraged us to leap in this fashion. Don't you agree it hurts just to look at this picture?

“Those of you who want to can bend your leg while leaping. Like this.” She launched herself skyward again. “Point your toes,” she said, alighting gracefully. “Second line, move up to the front.”

Hoping no one would notice, I melted into the back, which would be my primary strategy throughout the ordeal.

After an hour, we took a break. To my horror, five minutes later we were at it again.

“Let’s do another one,” she said. “This one will be easy. Even I can do it.” She smiled prettily.

What I wanted most was to go all Tonya Harding on her kneecaps. “See what you feel like when you’re over 60,” I muttered under my breath, as I mounted the stage.

Another hour passed. I longed for my chiropractor.

I know what your thinking. Why didn’t I just go sit down? Pride, I suppose. Or maybe just plain stubbornness. A few other older women had taken seats. I say “older” here with a caveat. If I had to guess, with the exception of my friend Scott, there was probably no one over 50 auditioning. Clearly, I was pretty much alone as a mid-sexagenarian.

Mercifully, the dancing finally ended. But my humiliation was not over.

Scott appeared. “Hey! You need to go in the back.”

I heard women’s voices singing Dancing Queen from backstage. “Why?”

“The mothers are auditioning,” he explained, using the term applied to the older adult women trying out for a part.

Not knowing how I could have missed the others being called away, I leapt – OK, in my mind, I leapt – onto the stage and bolted through a curtain and down a ramp toward the piano, where about eight women were lined up single file.

“I am so sorry I’m late!” I shouted.

All heads turned toward me. A woman looked up, paper and pencil in hand. “Your name?”

“Anne.”

She scrutinized the document.

The director rose from his seat.

“You’re not on the list,” he said. “You were called back only for a dancing part.”

I suddenly realized that if getting a part hinged on my dancing skills, I would need other plans for the summer. “I am … so sorry!”

I fled.

I found Scott in the seats and chastised him. It wasn’t his fault, though. He simply assumed I should be back there with the others, which in retrospect was sweet.

The director soon dismissed those of us who wouldn’t be invited to participate in any further auditions. Totally dejected, I sneaked out the back door.

When I got home, my sweetie pie stared at me. “I’m sorry,” he said without asking what happened.

I wondered if he’d had a premonition, since he already had a glass of wine poured and waiting for me.

“Maybe they did you a favor,” he said a short time later, as I sat in my jammies feeling sorry for myself, rubbing my aching knees.

I sipped my wine and pouted. “Maybe.”

Later that night, wrapped in two cold packs and a heating pad, I licked my wounds and considered whether I would ever try out for another play.

I'm thinking about it. I'll let you know.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Friday, November 6, 2020

White Chocolate: a Sweet Faux Pas

from Anne Montgomery

I love chocolate, which does not make me special. Americans consume roughly 18% of the world's chocolate stash, spending over $18 billion annually on the rich, creamy confection.

As a child, my mother fretted constantly about my waistline and hid sweets from me. In retaliation, I'd scour my dad's Brooks Brothers suit-coat pockets for change and trundle through the woods to Ben's Diner, which had a long, glorious rack of candy. Ben, a big man with a giant stomach encased in a white apron, never questioned my daily haul of candy bars - which were big suckers back then.

I'd sit by the brook with my collie Betsy and eat that candy - Snickers, Milky Way, Baby Ruth, Chunky, 100 Grand Bar, M&Ms, Heath Bar - every day.

My mom, exasperated by my girth, would defend herself to strangers. "It's not my fault," she'd tell people when she thought they were staring at me. "I feed her baked fish and salad with no dressing."

I always wanted to say, "I'm fat, Mom, not deaf. I can hear what you're saying." But I never did.

The point is, I love chocolate, which brings me to the abomination: white chocolate.

I realize some people like that creepy colorless confection. I also know that, lately, fancy chocolatiers have been experimenting with it in an effort to make it more hip. Still, the fact that white chocolate includes cocoa butter, which is derived from cocoa beans, does not make the substance chocolate. One needs cocoa solids to make actual chocolate. (Yes, I know the FDA claims white chocolate made to their standards is considered chocolate, but I'm not having it.)

White chocolate was first unveiled in the 1930s, a product of the Nestlé company in Switzerland. The theory goes that the substance was invented to utilize excess cocoa butter, but no one is really sure.

The Maya, who were the first people to cultivate cacao trees, probably would be stupefied to learn that their prized chocolate - the beans of which they used as a form of currency - is now offered in this pale, unrecognizable form.

And, even worse, those trendy chocolatiers are doing unspeakable things to this white sweet. You can now purchase organic kale with mustard mixed into your white chocolate. And salted almonds with broccoli. Clearly, there are maniacal minds at work here. Confectioners who make Gene Wilder's Willy Wonka appear quite sane.

So, what are we to do with this sweet faux pas? Despite my misgivings, I don't mind a bit of white as a decoration. After all, it's pretty. But as a real chocolate substitute? Never!

So give me a dab of white chocolate, if you must, but please ... hold the broccoli.

Here’s a little from my latest women's fiction book. I hope you enjoy it.

A woman flees an abusive husband and finds hope in the wilds of the Arizona desert.

Rebecca Quinn escapes her controlling husband and, with nowhere else to go, hops the red-eye to Arizona. There, Gaby Strand - her aunt’s college roommate - gives her shelter at the Salt River Inn, a 1930’s guesthouse located in the wildly beautiful Tonto National Forest.

Becca struggles with post-traumatic stress, but is enthralled by the splendor and fragility of the Sonoran Desert. The once aspiring artist meets Noah Tanner, a cattle rancher and beekeeper, Oscar Billingsley, a retired psychiatrist and avid birder, and a blacksmith named Walt. Thanks to her new friends and a small band of wild horses, Becca adjusts to life in the desert and rekindles her love of art.

Then, Becca’s husband tracks her down, forcing her to summon all her strength. But can she finally stop running away?

Amazon Buy Links

E-Book - Paperback

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Friday, September 4, 2020

FEATURING...

FACING OUR FEARS

by Anne Montgomery

Most people are afraid of something. For me it's tight spaces. I'm not sure when I first fell victim to this phobia, but it might have been on a high school Friday night when a bunch of us were going to a drive-in movie. (Remember those?) I was encouraged to get into the trunk of a car before we drove through the gates - something about too many kids in a car. In any case, I freaked, and clawed the underside of the hood and yelled until they let me out.

So, I'm claustrophobic, a malady that smacked me in the head one day when I was one hundred feet below the surface of the sea staring at a hole in the ocean floor.

I'd been told about the lava tube we would encounter. I glimpsed the small opening as another diver's fins disappeared into the darkness. I paused, sizing up the mouth of the cave. It was not much wider than my wingspan and perhaps three-feet tall.

I turned to my sweetie pie, who was hovering by a woman who was uncomfortable diving. I pointed to the mouth of the cave and he shook his head. Then he took the woman by the hand and helped her swim above the tube.

I stared at that hole and wanted nothing to do with it. It looked so small and dark, but then I saw a light flickering inside and, without thinking, I swam to the opening and ducked inside. White sand flowed along the cave floor. I saw fins in front of me and followed. Then, suddenly, the fins and the light vanished, leaving me in total darkness.

I stopped abruptly. Then panicked and considered backing out, but turning around in that narrow space in complete darkness was problematic. The back of my tank caught on the top of the tube. The contact was slight, but was enough to make me sick to my stomach. I dropped to the floor and dug my hands into the sand in an effort to calm myself. I started sucking air, which was bad. The compressed air in a scuba tank is used up quickly on a deep dive. I had to move forward soon, but was frozen.

I raised my head and stared into the darkness. I held one hand before me but could see nothing. I dug my free hand into the sand and lifted the other, pulling myself forward, gripping the sand so hard my hands hurt. Slowly, I moved forward and down. The tube descended beneath the sea floor, angling deeper as I went.

Why had I not brought a light? And why had I been dumb enough to go in without such an important piece of equipment? I continued inching forward. How long was the tunnel? Why had I not asked? The questions swirled. I was tempted to reach to the side to see how wide the tube was, but was afraid to know the truth.

Sometime later, I caught a glimmer piercing the top of the tube, a broken spot in the ceiling that glowed with soothing blue light. I rounded a bend and was graced with an opening. Dim light flooded the the cave, illuminating walls that were startling close. I kicked hard and exited. My sweetie pie was overhead. He knew how I felt about small places, so he was concerned.

Later, after a hot shower and a strong, grown-up beverage, we talked about that deep, dark, watery hole.

Yes, I'm glad I tried to conquer my fear, still I don't think I'll do anything like that ever again.

Here’s a little from my latest women's fiction book. I hope you enjoy it.

A woman flees an abusive husband and finds hope in the wilds of the Arizona desert.

Rebecca Quinn escapes her controlling husband and, with nowhere else to go, hops the red-eye to Arizona. There, Gaby Strand - her aunt’s college roommate - gives her shelter at the Salt River Inn, a 1930’s guesthouse located in the wildly beautiful Tonto National Forest.

Becca struggles with post-traumatic stress, but is enthralled by the splendor and fragility of the Sonoran Desert. The once aspiring artist meets Noah Tanner, a cattle rancher and beekeeper, Oscar Billingsley, a retired psychiatrist and avid birder, and a blacksmith named Walt. Thanks to her new friends and a small band of wild horses, Becca adjusts to life in the desert and rekindles her love of art.

Then, Becca’s husband tracks her down, forcing her to summon all her strength. But can she finally stop running away?

Amazon Buy Links

E-Book - Paperback